TIRANA, July 30/ATA/ - The “Gjon Mili” Photography Museum dedicated to the work of the best known Albanian-American photographer is opened in the city of Korça, Albania, the Albanian Ministry of Culture announced.
A collection of 15 photographs on the exhibition were taken by the best known Albanian-American photographer.
His photography collection are displayed at the the “Vangjush Mio”Cultural Center in a separate hall.
Gjon Mili Photography –Master of Stroboscopic Photography, (November 28, 1904- February 14,1984) was an Albanian-American photographer best known for his work published in Life which he photographed artists such as, Pablo Picasso, Sophia Loren, Alfred Hitchcock, Jean Paul Sartre.
Born to Vasil Mili and Viktori Cekani in Korça, in the Manastir Vilayet of the Ottoman Empire (present-day Albania). Mili spent his childhood in Romania, attending Gheorghe Lazăr National College in Bucharest, later he migrated to United States in 1923. In 1939, Mili started to work as a photographer for Life (a position he held until he died in 1984). Over the years his assignments took him to the Riviera (Picasso); to Prades, France (Pablo Casals in exile); to Israel (Adolf Eichmann in captivity); to Florence, Athens, Dublin, Berlin, Venice, Rome, and to Hollywood to photograph celebrities and artists, sports events, concerts, sculptures and architecture.
Working with Harold Eugene Edgerton of MIT, Gjon Mili was a pioneer in the use of stroboscopic instruments to capture a sequence of actions in one photograph. Trained as an engineer and self-taught in photography, Gjon Mili was one of the first to use electronic flash and stroboscopic light to create photographs that had more than scientific interest.Many of his notable images revealed the beautiful intricacy and graceful flow of movement too rapid or complex for the naked eye to discern. In the mid-1940s he was an assistant to the photographer Edward Weston.
In 1944, he directed the short film Jammin’ the Blues, which was made at Warner Bros., and features performances by Lester Young, Red Callender, Harry Edison, “Big” Sid Catlett, Illinois Jacquet, Barney Kessel, Jo Jones and Marie Bryant. Mili did not serve as cinematographer for the film (Robert Burks did) but the film used multiplied images that in many ways recall the multi-image still-frames done with the strobe. The imaginative use of the camera makes this film a minor landmark in the way that musicians have been filmed.
Over the course of more than four decades, thousands of his pictures were published by Life as well as other publications.He died in Stamford, Connecticut on February 14, 1984, of pneumonia at the age of 79.
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